The scene: Wednesday night at the Bottom of the Hill, my best friend, Blue Moons, and my favorite band. I showed up at doors, chilled for an hour, impatiently listened to the openers, and then lost myself for a couple hours in a mind blowingly amazing show. It was the first time The Head and the Heart has headlined in SF, and due to our strategic early arrival, I was pressed up front right, so close to the speakers that my legs shook with the bass, watching hands slide on strings and socked feet hop about on the stage while occasionally convincing myself I had locked eyes with the lead singers. The show sold out weeks ago, and they showed us why.
Before starting the last song Jon belted out that he was dying for a cigarette, so after last croon I booked it for the patio area, met the band, expressed my undying devotion, got snapshots, and found out that Charity is nice and shy and not in the least bit indie bitchy like I thought she might be. Then I bought too much merch, cabbed it home and went to sleep with a goofy grin, nestling into bed at one with guitar rifts still ringing in my ears. It is Wednesdays like these and the people I share them with that I will never forget when I am old and boring and thinking back when. These are the places I will always go.
Today’s Emo: Josh McBride / The Head and the Heart
‘darling this is when I met you / for the third time not the last / not the the last time we are learning / who we are and what we were’
This is a new song and it is meant for a campfire. Josh McBride (also known as Seat Beside Me) was one of several unreleased tracks performed, and it was really something – smooth harmonies, trickles on keys, steady strumming and heartfelt vocals. Most of the audience hadn’t heard it yet because they don’t stalk THATH the way I do, and there was that “oh wow” moment of hush when it ended, like people had just experienced something great for the first time and were soaking it in. And then epic applause.
The chorus of ‘you are in the seat beside me‘ makes me think of Death Cab’s Passenger Seat, and while it is unique in its own right, this song evokes similar sentiment– that peaceful comfort of companionship and conviction in who you have next to you at the end of the day. Or the want for that space to be filled. #emo
Today’s Untz: Lisztomania (Phoenix cover) / Edwin Van Cleef ft. Jane Hanely
‘these days it comes, it comes, it comes, it comes, it comes and goes’
I have been hungry for new Phoenix for some time now and thus forced to temporarily satiate myself with remixes. Luckily there is no lack of options. Classixx has a standout take on Lisztomania, and now UK DJ/producer Edwin Van Cleef has made a great go at it, twisting in female vocals from Jane Hanely to give one of the most remixed songs of the past few years new life.
This is the first I have heard of Mr. Cleef, and while I suggest he get a new stage name I will have to keep him on my radar because I want to dance to this. And dance and dance and dance. #untz